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Specific gravities of 1.66 g/cm3 for the Saprolite, 2.19 g/cm3 Saprock and 2.69 g/cm3 Fresh Rock at Kalana have been used derived from results of the Archimedes Method. Specific gravities of 1.70 g/cm3 for the Mottled Zone, 1.76 g/cm3 Saprolite, 2.09 g/cm3 Saprock and 2.64 g/cm3 Fresh Rock at Kalanako have been used.

Measured and Indicated ("M&I") resources amounted to 14Moz at year-end 2018, up 0.9Moz or 7% over the previous year, as mine depletion was more than offset by the maiden resources delineated.

The February 2019 Kalana Main Mineral Resource Estimate utilises data and geological interpretations used by Denny Jones (2016) to estimate the Mineral Resource, plus geological interpretation and drill data compiled by EDV in 2018.

Sportsmail’s verdict: 6th – Another middling season for Quins, but European qualification should be achievable. They’ll take some almighty scalps and lose inconceivably at least twice. Watch out for 18-year-old fly-half Marcus Smith – they are very excited about him at the Stoop.

All this and more will be sorted out in the coming months – for now, get your teeth into Sportsmail’s ultimate guide to the new season.

AISC decreased due to higher production, lower unit mining costs associated with reduced water pumping requirements following the end of the rainy season, as well as the reduction in sustaining capital expenditures.

- The changes in long-term inventories is a new policy adopted by the group whereby stockpiled material that will not be processed within 12 months is treated as a non-current asset. The outflow in the year represents the build-up of this newly classified item.

Concernant le marquage je préfère rester prudent et attendre les retours à long terme. Je prends exemple de mon plasma (GT60): il marque à long terme. Je regarde pas mal de Formule 1, et le logo bien blanc en bas à gauche a très vite marqué l’écran, après seulement quelques mois. Ca ne se voit que sur les tons moyens, mais je le vois. Pareil sur la droite de l’écran: à l’endroit où mon soft de media center affiche les jaquettes de films/miniatures de vidéos/logos de chaines, le plasma est maintenant plus grisâtre de ce côté-là. Je ne trouve pas que ces utilisations soient “anormales”, on les rencontre souvent, ce n’est pas comme si je laissais une chaine info 10h par jour. Pourtant je l’ai rôdé au début. Et la fonction de déplacement des pixels, en plus de rogner l’image, ne sert pas à grand chose puisqu’elle rend juste la trace plus floue. J’espère sincèrement que sur l’OLED le problème de marquage est effectivement limité à du marquage temporaire, pas du marquage sur le long terme comme sur les plasmas. Et ne venez pas dire que c’était pareil avec les cathodiques, mon CRT utilisé pendant 7 ans n’avait aucune trace pour la même utilisation.

OUT: Derrick Appiah (London Scottish), Tevita Cavubati (Newcastle Falcons), Mike Daniels (Hartpury College), Tiff Eden (Nottingham Rugby), James Johnston (Brive), Ryan Lamb (La Rochelle), Na’ama Leleimalefaga (Brive), Val Rapava Ruskin (Gloucester Rugby), Auguy Slowik (Northern Suburbs Rugby Club), Chris Vui (Bristol Rugby), Phil Dowson (retired), Andy Short (retired), Sam Betty, Tom Biggs, Connor Braid, Jaba Bregvadze, Ryan Grant, Cooper Vuna (all released).

The Kalana Mineral Resource was estimated utilising Categorical Kriging to reduce internal dilution within the mineralised wireframes and Multiple Indicator Kriging (MIK) with dynamic anisotropy to estimate the grade in Datamine Studio 3. One metre composites were used and no capping was applied.

My initial impression is that this is a game more concerned with action and light strategy than making crafting and construction an overly finnicky process. I remember bouncing off From The Depths (another mechanically minded sandbox) as it wanted me to construct my ship from the basic blocks upwards, right down to assembling my own engine by hand. This is a game where you decide how many engines you want, stuff them full of coal and ride off into the ash-dimmed sunset in search of your pyroclastic foe.

This playlist of essentials focuses specifically on noise rock and not noise pop, its more approachable, shoegaze-adjacent sibling. And as such, readers won’t find indie darlings like Dinosaur Jr. or Yo La Tengo, proto-shoegazers like the Jesus And Mary Chain, or more mainstream-friendly, genre-fluid artists such as the Flaming Lips. What’s here is visceral, messy, and weird, presented in chronological order, and sticking to a one-song-per-artist rule (just because we can do Sonic Youth’s 30 best noise rock songs doesn’t mean we will).