Grannie Annie: A story about bread | Carbide Cylindrical Pin

As shown in Appendix 3, the variance in P&P reserves and M&I resources compared to the previous year corresponds to mining depletion and a decreased for the GG2 and Kao Main deposits, following changes in estimation parameters, which was partially offset by the addition of M&I resources and P&P reserves at the Yabongso deposit.

The Stooges spent much of their brief career provoking audiences and listeners, creating an outrageous spectacle that frequently ended violently. If beer bottles weren’t flying into their guitar necks — as can be heard on the infamous live document Metallic K.O. — then Iggy Pop would be using those bottles to slice up his own shirtless torso. Most of their second album, Fun House, captures that sense of danger and horror, though its closing track “L.A. Blues” is where the bottom drops out. A free-form psychedelic freak-out inspired more by the likes of free-jazz recordings like John Coltrane’s “Ascension” than early rock ‘n’ roll, “L.A. Blues” is a trip gone horribly wrong. In Robert Christgau’s initial review of Fun House, he questioned whether it was healthy to repeatedly subject himself to something so confrontational, and no point on the album sounds more damaged than “L.A. Blues.” It’s a violent primal scream, with additional bass groove.

Most of Climeworks’s 60 employees work in a big industrial space in downtown Zurich, on two floors of a low-slung building that the company sublets from a German aerospace firm. Manufacturing operations are on the ground floor; the research labs are upstairs, along with a small suite of shared offices, a hallway kitchen and a hangout area. The place has the stark, casual feel of a tech start-up, with one exception: The walls are lined with oversize photos of pivotal moments in Climeworks’s young history — its ungainly early prototypes; the opening of the first Hinwil plant that collected CO₂ for the greenhouse.

It’s hard to pinpoint exactly when the term “noise rock” was coined. It’s not a buzzy catchphrase like “shoegaze” or “krautrock.” It’s simply two ideas smashed together — noise and rock, the marriage of conventional rock structures and melodies with the techniques of experimental noise music. It’s arguably an oversimplified, generic way to describe a style of music, but after decades of eardrum trauma, notoriety and musical stunts, “noise rock” speaks volumes.

In the back of Daddy Dave’s Edmond, Oklahoma shop sits the remains of the original Goliath Nova after experiencing an accident on the strip. Although the tattered contortion of twisted metal is useless as a road car (much less a racecar), Daddy Dave lets it hang around as a parts car for the occasional one-off piece that may be necessary for the new Nova – Goliath 2.0 – or possibly as a reminder of what could have been that fateful August 2015 day. The new Goliath features a carbon fiber-titanium floor and Optic Armor glass – and a 632cid, big-block race motor from TRE Racing Engines to cap the focal-point of its existence.

Off camera, Vanessa is as driven and accomplished as she appears to be when leading her crew onscreen. She has a passion for riding horses and running long distance relay races, and she developed a successful children’s toy company.

Once destined for Mars, a prototype drill has a new mission: To bore into rocks buried deep beneath the ice in Antarctica.

Angel Garcia, of the Malaga province civil engineers’ association, told reporters that the workers’ priority is now to dig two parallel vertical tunnels.

Sportsmail’s verdict: 7th – one up from last term, but not quite breaking into the Champions Cup places this time. The fact that they are not in the relegation conversation is a positive in itself.

- $280 million was repaid on the revolving credit facility ("RCF") in Q1-2018, while $70 million, $80 million and $60 million were subsequently redrawn in respectively Q2, Q3, and Q4-2018, mainly to fund the Ity CIL construction.

- The geological model was updated with over 30,000 metres of in-fill drilling completed since the project was acquired in late 2017. In total, more than 2,200 holes and more than 221,000 assays (including over 103,000 LeachWELL assays) were used to refine the geological model.

This playlist of essentials focuses specifically on noise rock and not noise pop, its more approachable, shoegaze-adjacent sibling. And as such, readers won’t find indie darlings like Dinosaur Jr. or Yo La Tengo, proto-shoegazers like the Jesus And Mary Chain, or more mainstream-friendly, genre-fluid artists such as the Flaming Lips. What’s here is visceral, messy, and weird, presented in chronological order, and sticking to a one-song-per-artist rule (just because we can do Sonic Youth’s 30 best noise rock songs doesn’t mean we will).