Fuse lit on Baltic Eagle bomb hunt – reNews | Carbide Cylindrical Pin

The Stooges spent much of their brief career provoking audiences and listeners, creating an outrageous spectacle that frequently ended violently. If beer bottles weren’t flying into their guitar necks — as can be heard on the infamous live document Metallic K.O. — then Iggy Pop would be using those bottles to slice up his own shirtless torso. Most of their second album, Fun House, captures that sense of danger and horror, though its closing track “L.A. Blues” is where the bottom drops out. A free-form psychedelic freak-out inspired more by the likes of free-jazz recordings like John Coltrane’s “Ascension” than early rock ‘n’ roll, “L.A. Blues” is a trip gone horribly wrong. In Robert Christgau’s initial review of Fun House, he questioned whether it was healthy to repeatedly subject himself to something so confrontational, and no point on the album sounds more damaged than “L.A. Blues.” It’s a violent primal scream, with additional bass groove.

As far out as monster trucks look – with their full tube chassis and four-wheel steering – it’s not hard to take a wild guess at the evolutionary steps that brought it to the machine we know it as today. Essentially starting out as a guy wanting to see if he could run over a set of blown out car bodies in a field, the sport feverishly took off with a warm and enthusiastic public reception similar to NASCAR. There was just something transfixing about watching a motor and chassis push around 3,600lbs of rubber. A typical snapshot of the mechanical madness responsible for the “thunder within” takes the form of a 540cid, supercharged race motor; centrally located to balance out the truck and lower the center of gravity. Many of these monsters blow all of that torque through a two-speed Powerglide transmission (heavily-modified, of course).

Three children have serious but non-life-threatening injuries, Xicheng district government said on its social media account.

Dans ce post, je parlais des **débuts **des tubes cathodiques qui marquaient: c’est pour ne pas marquer les écrans que la fameuse pendule de la RTF http://i.ytimg.com/vi/vUOeYRKFkkw/default.jpg n’était pas fixe sur l’image mais se “baladait” lentement horizontalement et verticalement.

The popular “Street Outlaws” show is essentially a glorified version of what you do with your friends in that industrial area that you don’t think anybody else knows about; it’s a list-based race where racers move up the bracket by beating the racer ahead of them.

"We want to empower the people in these developing countries," he said. "And they really do come together as a village."

It’s far easier to find your way around the TV now that Sony has finally replaced the ageing Cross Media Bar (XMB) with a completely new interface. It’s very responsive and looks much slicker thanks to high-definition graphics and sharp text.

MARVEL Avengers Academy, Free Avengers Academy is actually doing something based on the school part of the premise again? Excuse me, I need to sit down for a second. The shock is just… too much. Wait, Hydra attacked and took over some Ultron-bots and school is canceled in favor of punching bad guys? Now there’s the Avengers Academy I know and can’t seem to quit. After an absolutely horrible Agents of S.H.I.E.L.D. event, this little two-week palate cleanser gives you the chance to get Devil Dinosaur, Crimson Dynamo, Thor, Nadia Van Dyne, and others. Nadia is particularly hard to recruit, but hey, that’s where we’re at with this app these days.

Spanish mine-rescue experts were lowered down the shaft, from where they hope to dig a tunnel to reach Julen Rosello, who has been trapped underground for 11 days.

For evidence of just how strange the ’90s were, look no further than the Boredoms’ short-lived tenure on major label Reprise. Not that Royal Trux and Butthole Surfers weren’t similarly baffling as commercial prospects, but at least the latter had “Pepper.” Japan’s Boredoms never had anything close to a radio-friendly song, instead preferring a constantly rotating carousel of absurdity. Yet their best moment still arrived well after that flirtation with commercialism. Their Super æ album redefined Boredoms as a heavier, more psychedelic and powerful group, balancing noise with motorik rhythms, space-rock freak-outs, minimalist pulses, and a more spiritual center of gravity. “Super Are” smashes together their meditative side with their more chaotic side, two complementary halves that add up to a climactic and glorious whole. The band draws out a hushed drone, but the payoff is four minutes of percussion-heavy pounding, guitar squeal, and an unlikely infectiousness.

None of this is rocket science, which helps explain a paradox of most conversations with scientists, ecologists and charity-workers who have devoted their lives to solving the world’s water problems. Most are full of horror stories about how woefully the world is misusing and wasting its water. Yet most will profess cautious optimism about the long-term future.

Meanwhile, Kabwe said the DMMU will partner with the Zambia Cooperatives Federation (ZCF) to drill industrial boreholes in areas where  Solar Hammer Mills have been installed to provide clean water to the people using electricity generated by the Solar plants.